It’s official – florals are big news for SS11. From teeny tiny intertwined flower prints to bold punchy sunflower brights, choose your bloom at will, with this ultra feminine trend.
Some of the best floral looks were seen on the catwalk at ladylike supreme-o Erdem. Presenting a collection packed with florals and lace, the designer sent his models down the runway in silk and sheer panelled pieces with appliquéd flowers on a white background. Jil Sander offered another approach with a more contemporary twist. Her girls walked in trademark maxi skirts and dresses, with large, graphic, vivid flower prints as the order of the day.
As florals are always a strong look for summer, the high street is as colourful and full of flower power as any good English country garden tea party. We especially love the collection from Matalan, who have a great offering that really hits the nail on the head. From pretty as a picture soft pastel prints, to Jil Sander-esque jewel tone brights, these pieces are ideal for a sunny summer day.
Our favourite is the 70s inspired jumpsuit with ruffled neckline – wear with wedges to elongate legs and channel festive chic.
Pair the softer pastels with classic basics, or for real style points wear floral on floral – mismatched prints are big for summer, and Matalan’s great collection will elevate your style with ease.
It seems we’ve barely had the chance to think about our summer wardrobes, but it is now time to start considering essentials for AW11. The structured two pieces and classic shapes seen for spring will still be on trend for autumn, as ladylike was once again a key trend on the catwalk.
Christopher Kane showed a very wearable ladylike collection with beautifully tailored knee skimming skirts in darker tones, embellished with sheer panels. His classic cuts were offset by plastic cut-off embellishments in fiery reds and oranges, or mermaid-esque underwater green, which ran from prim ladylike collar to high waisted skirt.
In Paris, Dior offered a glamorous collection for the upmarket woman. Ladylike textures and fabrics – chiffons, fur stoles, ruffles, bows, pastel shades – exuded the high fashion glam expected of the couturier. Smoky heavy eye make up plus feathered hair suggested this the morning after the night before for the Dior woman. The collection was bravely presented in the wake of scandal, and as Galliano’s swansong ended, the entire Dior creative team took to the runway clad in white lab coats.
Marni’s ladylike offering appeared most obviously in their shapes. 50s style two pieces – another key trend – boxy bags and gloves were expertly crafted in muted colours straight from a debutante’s wardrobe. A hint of punchy jewel tones – forest green, velvety navy blue, coral and dazzling royal blue, played a part in a collection that exuded luxury. Thick coats in moss green and brown, teamed with slim belts worn high on the waist gave a nipped in silhouette, and black and tan heels tied at the ankle completed the chic, sophisticated look.
An exciting contribution to ladylike was found at Manish Arora. Elements of the East were present within the collection, with Arora’s Indian roots showing in eye catching brights and embellishments. Fringed boots and tough metallics had an almost masculine edge, but the collection had all the hallmarks of a lady – leather gloves, knee length tailored two pieces and flowing silks, all with Arora’s trademark vibrancy.